Emu 360 V 1.4 |BEST|
Click Here > https://urllie.com/2tcLYd
Thus, women are to submit to male dominance and preserve the institution of marriage. This hierarchy satisfies men because it empowers them. Those who rebel against the existing order are labeled ``dangerous.'' Robespierre believed that only freeing the blacks and Europeans would free the masses from their subservient role in French society. But the aristocracy he had created would have certainly regarded such actions as seditious behavior and dangerous.
Similar views echoed in radicals of the time. Madame de Stael in her book Considerations on the Principal Events of the French Revolution frames the revolution not as the culmination of individual freedom, but as something evil to be regretted:
"A most deplorable event, a most perilous epoch for the happiness of humanity, has taken place. A monstrous machine of arbitrary power, under the name of the people, by destroying the power of the nobles, the liberty of the middle classes, and the independence of the lower classes and of all those whom they control, the bank of justice and public tranquility has been destroyed."
Barbara Gaines assumes the same thing. Her production manipulates the script for maximum effect by reducing the language to a few lines and frequently having the actor playing the king speak as the audience. The king's every word is presented to the audience in full view of the actors, and the female actors are frequently presented to the audience while seated on the royal throne. Their voices are muffled by the audience's voice, thus emphasizing how men will not perceive their voices as feminine unless they are presented as women.
The female characters are also excluded from subsidiary positions. When the King speaks to the queen about his feelings for her, she looks away, but the audience is meant to see that she is listening. The same is true for the queen's response to his change of heart.
The female roles can continue to control the action only when they are portrayed as submissive and silken. The play ends with the male characters' mistress freely expressing her anger with the king; she is allowed to burst out at the end, while the boys are taken as a unit and told to stop talking. But the audience learns nothing about her. d2c66b5586